The Registration of Baroque Organ Music by Barbara Owen

The Registration of Baroque Organ Music by Barbara Owen

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Summary

A work that presents the registrational practices of organists from 1550 to 1800. Along with the many stoplists and discussions of performance traditions, it discusses the religious and political context for each period and region - and how these affected the work of composers and organ builders.

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The Registration of Baroque Organ Music by Barbara Owen

"In this book, Barbara Owen has created a rich resource of historical information coupled with strategies for interpreting that information on today's instruments." —Journal of the American Musical Instrument Society ". . . Barbara Owen has succeeded admirably in distilling three centuries of organ registration practice into a volume less than three hundred pages long. . . . Anyone with an interest in the history of the organ and its music . . . will not want to ignore this book." —Sixteenth Century Journal "It is rare to find a book that combines such careful scholarship with a practical focus that makes it accessible to performing musicians as well as research specialists." —Notes "An excellent volume from historical, musical style and interpretive standpoints. Highly recommended for all large academic and professional music collections." Choice " . . . recommend this book to all serious organists." —The American Organist Magazine Barbara Owen has prepared the first work to present in a single book the registrational practices of organists from c.1550 to 1800. The four parts of the book move from the Renaissance through the Early, High, and Late Baroque. Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.
"In this book, Barbara Owen has created a rich resource of historical information coupled with strategies for interpreting that information on today's instruments" oJournal of the American Musical Instrument Society "... Barbara Owen has succeeded admirably in distilling three centuries of organ registration practice into a volume less than three hundred pages long... Anyone with an interest in the history of the organ and its music ... will not want to ignore this book." oSixteenth Century Journal "It is rare to find a book that combines such careful scholarship with a practical focus that makes it accessible to performing musicians as well as research specialists." oNotes "An excellent volume from historical, musical style and interpretive standpoints. Highly recommended for all large academic and professional music collections." Choice " ... recommend this book to all serious organists." oThe American Organist Magazine

Barbara Owen, an active lecturer, teacher,
recitalist, and organ consultant, is Librarian of the Organ Library at
Boston University and author of The Organ in New England, E. Power Biggs: Concert Organist, and articles in the New Grove Dictionary of Music and Musicians and many organ journals. She is also co-author (with Peter Williams) of The Organ.

SKU Unavailable
ISBN 13 9780253210852
ISBN 10 0253210852
Title The Registration of Baroque Organ Music
Author Barbara Owen
Condition Unavailable
Binding Type Paperback
Publisher Indiana University Press
Year published 1999-02-22
Number of pages 296
Cover note Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
Note Unavailable